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Blog

 Zhuokeji Chieftain’s Residence

January 5, 2024 by Tibetan Trekking Travel Leave a Comment

Zhuokeji, meaning “supreme” in Tibetan, was the former residence of the Zhuokeji chieftain. The Zhuokeji chieftain was granted the position after the first “Battle of Da-xiao-Jin-chuan” in the year of 1748 AD (13th year of the Qianlong reign of the Qing Dynasty). In the year of 1749 AD (14th year of Qianlong reign of the Qing Dynasty), the chieftain was given an official seal for the “Chang-guan Office.” The town has a total area of 298 square kilometers, consisting of three villages: Chami, Xisu, and Nazu.

Zhuokeji building
Zhuokeji full view
Zhuokeji main entrance
Zhuokeji front view
Zhuokeji main
Zhuokeji mark
Zhuokeji painting
Zhuokeji right wing
Zhuokeji left wing

Overview

The Zhuokeji chieftain’s residence is located at an altitude of 2700 meters, adjacent to National Highway 317, at the high ground where the Soma River and Xi-suo River meet. It is also the intersection of the roads from Barkam to Chengdu and from Barkam to Xiao-jin, 8 kilometers from the county town and 354 kilometers from Chengdu.

Meaning

The chieftain’s residence, also known as the chieftain’s office or mansion, served as the official office of the chieftain and the living place for the chieftain and his family. It was the political center within the chieftain’s jurisdiction and a symbol of the chieftain’s power and status.

The start & current situation

The Zhuokeji chieftain was first appointed in the 23rd year of the Yuan Dynasty (1286 AD), with Si-ta-beng as the first chieftain. In the 15th year of the Qing Dynasty’s Qianlong reign (1750 AD), due to meritorious service in the Battle of Dajinchuan, the chieftain’s position was elevated to the Chang-guan Office. The chieftaincy lasted for 665 years and was succeeded by 17 generations.

The existing chieftain’s residence was initially built in 1918, destroyed by a fire in 1936, and rebuilt at the original site by the 16th chieftain, Suo-guan-ying, in 1938.

Architecture and structure

The Zoukexi Chieftain’s Residence was built in the Qing Dynasty (1616 AD – 1912 AD), with the buildings facing northeast to southwest, comprising four enclosed courtyard buildings in the east, west, south, and north. The floors all feature Han-style corridors, with Han-style floral windows and Jiarong-tibetan-style window decorations on the outside of the corridors.

The entire official residence covers an area of 1500 square meters, with a layout mimicking the structure of a Han-style courtyard. The main building in the north has a pseudo-six-story structure, while the east and west wing rooms are five stories high, with a courtyard in the middle. In total, there are 63 large and small rooms and exhibition halls.

The architectural scale is enormous, grand, and exquisitely constructed, incorporating the ancient architectural style of the Jiarong Tibetan stone towers. It features a bracketed structure without using a single nail or rivet, showcasing superb architectural artistry.

Within the official residence, the Jiarong cultural exhibition area is mainly concentrated in some buildings on the first and fourth floors, divided into 12 exhibition halls including a kitchen, prayer flag room, Sheji room, Yin Ting room, brewing room, and clothing room.

The second floor is mainly a red cultural exhibition hall, with a total of 11 exhibition rooms. The third floor mainly showcases the chieftain culture.

Some rooms on the fifth and fourth floors serve as a religious cultural exhibition hall, featuring eight exhibition rooms including a scripture hall, Red Temple, Yellow Temple, Longevity Temple, Lion-faced Kungkong Temple, fasting room, and monk’s residence.

Filed Under: View spots in Kham

Kangmar Monastery

January 5, 2024 by Tibetan Trekking Travel Leave a Comment

Kangmar Monastery, also known as “Kangmao Monastery,” meaning “Red Wall Monastery.” It belongs to the Gelug sect of Tibetan Buddhism.

Kangmar Monastery monk after class
Buddha statue
Buddhism symbol
Kangmar Monastery monk debating class
Kangmar Monastery mural
Kangmar Monastery wall painting
Kangmar Monastery main hall
Kangmar halls

Location

It is located in Rangkou Village in Shua-jing-si Town of Hongyuan County on the Chengdu-Aba Highway 347km. The original location was in Lao-kang-mao Village of Kang-le Township, but it was relocated to Sa-mu-long Village in Rangkou Township due to a fire.

Establishment

Kangmao Monastery was founded in 1398 AD and is one of the 108 monasteries established by the disciple of Tsongkhapa, “Chagou·Awang Dragba.”

Initially, it was established as the ”Solid land” of Jia-de-ge Monastery and later moved to Shua-jing-si as the Longevity temple of the Suomo Tusi. It was reorganized by Zanla “Wenbu Gongque Nanjia” and, after consulting with the Luhuo Living Buddha “Gongque Yixi Bajue,” the monastery’s management system was established in the form of the Suomo Tusi’s governance, and the monastery was named “Kangmar Auspicious Perfect Land.”

Soon after, the monastery was dissolved due to invasion by Mongol troops. Following the wishes of the Suomo Tusi “Shiyin Gyantsan” and the master “Jiamuyang,” “Qiongcha Xianzhe · Gendeng Dragba” moved the monastery to Zhongla Yuriba, which was given by the Suomo Tusi in 1723 AD. The monastery was named ” Gyadu Gegon Tsetanling.”

The successive Jiamuyang Living Buddhas paid great attention to the monastery and included it as one of the branch monasteries of Labrang Monastery. In 1935, the monastery was destroyed by fire due to various reasons, and the scriptures, Buddha statues, and stupas, as well as all the belongings and ritual objects, were turned to ashes. At that time, the “Qiongcha Renpoche” was young, but with the great care of the Zanla Living Buddha “Gasang Danzen Gyatso,” the monastery was relocated to Do-sa-mu-long Gully in Rangkou, Hongyuan County, and gradually supported and reorganized, leading to its prosperity.

The monastery is presided over by the Qiongcha Renpoche, and Qiongcha, Zanla, and Huaxiu are the three major reincarnation systems of the monastery.

The religious followers include people from the upper, middle, and lower Rangkou, as well as the people of Karla. The Rangkou tribe is said to have a history of over a thousand years, dating back to the time of Songtsen Gampo, when a small part of the military stationed here was sent from the “Rangkou Tribe,” one of the three tribes of Ali.

Historical Records

Throughout its long history, Kangmao Monastery has experienced numerous ups and downs, but has always adhered to the rules of the Gelug sect. The original monastery, “Jia’erde Longevity Monastery,” according to historical records, suffered from military disasters multiple times in history. At one point, the monks had no fixed place of residence and lived in some red houses in the Sutra Hall. In Tibetan, “Kangmao” means “red wall,” and the monastery was named Kangmao Monastery because the monks were active in these red houses. This name has been used to this day.

There are currently 43 monks and 7 monastery administrators.

Filed Under: Gelug Pa Monasteries

Datzang monastery

January 4, 2024 by Tibetan Trekking Travel Leave a Comment

The name “Datzang monastery” in Tibetan means “complete faith,” and in Chinese it carries the meaning of “merit.” Its full name is “Ganden Datsang Lhündrup Ling,” which means “the Land of Accomplishment of the Joyous Doctrine.” It is a Gelugpa monastery. The term “Ganden” means “joyous” and is the transliteration of the Tibetan name for the pure land of Maitreya Buddha, also conveying the meaning of the Gelug Pa.

stupa
Datzang monastery front gate
Datzang monastery main hall
Datzang monastery plaza
Datzang monastery mural
Datzang monastery wood carving
Datzang monastery dharma symbol
Datzang monastery hall

Brief

Datzang monastery was built by the eminent monk Tsako·Ngawang Drakpa in 1414 AD, covering an area of over 200 acres. It received support and patronage from the local 18 chieftains, becoming the authoritative center for Gelug Pa in the northwest of Sichuan. It is frequently mentioned in the biographies of Tsongkhapa, the “Political and Religious History of Amdo,” and historical records from the Ming and Qing dynasties. The monastery is also depicted in a mural titled “Important Tibetan Monasteries” in the Potala Palace in Lhasa.

Naming

There are various explanations for the naming of Datzang monastery in both historical and oral traditions. One explanation is that Tsongkhapa named it ” Datzang” to signify “complete faith,” (In recorded literature, Tsongkhapa sometimes refers to Ngawang Drakpa as “ Datzang·Ngawang Drakpa“). Another explanation suggests that Tsako·Ngawang Drakpa named the monastery “Datzang” as the final of the 108 temples he vowed to build, signifying “complete fulfillment.” There is also a belief that Tsongkhapa slightly modified the original name given by Tsako·Ngawang Drakpa, changing the meaning from “complete fulfillment” to “complete faith,” while keeping the pronunciation as “Datzang.” Due to its long history and scale, Datzang monastery has been revered as the “2nd Dratsang” (meaning the second Buddhist college), second only to the ancestral monastery of the Gelugpa, the Ganden Monastery.

Location & surroundings

Datzang monastery is located at an altitude of 3530 meters, directly north of the town of Barkam, belonging to the Chun Kou village of Datzang Township. It is situated on the west side, 54 kilometers from the Lin-chang road, which runs from Da-lang-zu Gully to Sha-er-zong Township. It is approximately 500 kilometers from Chengdu.

Dazang Monastery is located on the slope of Qukeer Mountain, with the monastery complex built on the hillside and descending along the mountain ridge. Qukeer Mountain means “eternal wheel of dharma.” Ga-er-zu Snow Mountain stands behind it. To the west lies the Gen-da-er Snow Mountain. The nearby peaks seem to encircle the mountain where Datsang Monastery is located, forming a natural arrangement resembling the thirteen Vajra citadels.

Qukeer Mountain where Datsang Monastery is situated is at an altitude of over 3500 meters, and its shape resembles that of an elephant. The monastery is built on the neck of the elephant. From the center of the monastery, one can see a peak in each of the four directions – east, south, west, and north – known as the guardians of the four directions.

To the south of Qukeer Mountain lies the Qukeer Village, inhabited by generations of people who serve the monastery. The village is surrounded by fertile farmland producing crops such as barley, peas, and potatoes. To the north of Qukeer Mountain, there are steep pine forests and shrubs. On the opposite side, at the foot of the Gen-da-er Mountain, are the villages of Duerba and Kalgeng, both historically associated with Datsang Monastery. Flowing at the foot of the southern and northern slopes of Qukeer Mountain are lively, meandering streams, resembling silver ribbons hanging from the ears of Qukeer. According to local villagers, below the snow line of the Gajue and Gen-da-er mountains, there is an abundance of caterpillar fungus, fritillary bulbs, musk, and rhubarb. The forests also harbor a variety of nationally protected animals such as musk deer, roe deer, and golden monkeys.

Architecture

Datzang monastery has developed into hundreds of buildings over the years, resembling a small city. At its peak, the temple housed over eight hundred monks, but in historical records, it is generally recorded as five hundred, taking inspiration from the five hundred arhats in Buddhist history.

When Datzang monastery was completed in 1414 AD, it included several halls and eight monk dormitories, including the Sutra Hall, the Dharmapala Hall, and a four-story building where Ngawang Drakpa resided. Of these three buildings, the Dharmapala Hall still retains its original state, with Ming Dynasty murals preserved in good condition.

Before the 1950s, Datzang monastery had 3 Maitreya Halls, Tsongkhapa Hall, Sutra Hall, and the Dharmapala Hall, as well as the Qi-zhu Tower and the Kankang Tower, where the two abbots resided. Each hall housed numerous sacred objects and precious scriptures, with the Maitreya Hall containing a statue of the future Buddha several meters high.

Even the ordinary monk dormitories each had a complete set of the Kangyur and Tengyur, the two parts of the Tibetan Buddhist canon, with murals on the walls and ceilings depicting the life stories of the Buddha and the ancestral masters.

The roof of the main hall is covered with gilded copper tiles, given by the Emperor of China. There is also a retreat house on the mountain behind the monastery for monks to meditate. In front of the monastery, there is a thirty-meter-high pagoda containing numerous precious sacred objects.

The Sutra Hall was destroyed in the late 1950s and was rebuilt from 1993 to 1997. The new hall was built next to the original residence of Ngawang Drakpa. There is a two-story reception hall in front of the Sutra Hall. The reconstruction, which began in 1993, was supported by disciples of the abbot “Qi-zhu Rinpoche” from various countries, with some disciples from Singapore leading the construction efforts. The rebuilt Sutra Hall is much larger than before, with the addition of the Maitreya Hall with a 13-meter-high Maitreya statue, the Tsongkhapa Hall with an 8-meter-high Tsongkhapa statue, and the Avalokiteshvara Hall with a 5-meter-high, thousand-arms and thousand-eyes statue of Avalokiteshvara, as well as large monk dormitories, a Vairocana Hall, a layperson accommodation building, a retreat room, a large monk dining hall, and the abbot’s residence. The rebuilt Datzang monastery also includes a magnificent debating courtyard.

The Qizhu Tower of Datzang monastery is a grand building located at the highest point of the monastery complex, behind the main hall. It is painted golden yellow, along with the outer walls of the famous Dharmapala Hall, while the other buildings in the monastery are painted white. The Qizhu Tower enshrines a protector, a manifestation of the Mahakala protector, which is the wrathful manifestation of the compassion of Avalokiteshvara. In the late 1950s, the Datzang monastery was destroyed, and the Qizhu Tower did not survive. After several years of reconstruction starting in 1993, the monastery and the Qizhu Tower have been mostly restored and are now larger than before.

To the right of Datzang monastery, there is a small stone tablet with the image of Avalokiteshvara, commemorating the visit of the 6th Dalai Lama. The 6th Dalai Lama led a legendary life, often disguising himself as an ordinary monk or even a beggar, wandering through Tibet and even reportedly visiting Mount Wutai in China. In his autobiography, he mentioned visiting Datzang monastery and praised the scale of the monastery and the diligence of the monks in their studies.

During his time at Datzang monastery, the revered figure secretly practiced in the Dharmapala Hall, unknown to others. On one occasion, he was recognized by an old monk who had previously met him in Lhasa. The revered figure instructed the old monk to keep his presence a secret, but the old monk insisted on leaving a memorial of his visit to Datzang monastery. The revered figure then said, “After I leave, you should erect a stone tablet of Avalokiteshvara at the place where we met. Whoever sees the tablet will be as if they have seen me!” The old monk then erected the stone tablet, which is still standing today, and Tibetans pay their respects to it when circumambulating the monastery. Additionally, the revered figure wrote some words on the outer wall of the Dharmapala Hall, which were preserved by taking photos of the original inscriptions before the wall was removed during recent renovations.

Ngawang Drakpa Master – Legend

Awang Zhaba Master was born in the mid-14th century in the Gyarong region and was initially a follower of the indigenous Tibetan religion, Bön. Due to his intelligence and learning abilities, he gained fame at a young age. Around 1381 AD, he went to central Tibet to study Buddhism, receiving ordination and studying various aspects of Buddhist teachings, including the Vinaya, Prajñāpāramitā, Abhidharma, Madhyamaka, and Vinaya, as well as receiving empowerments and practicing various esoteric teachings. He was given the title “Khenchen,” meaning “Great Abbot,” by Tsongkhapa.

In a notable incident, Ngawang Drakpa displayed his miraculous powers by passing through a closed door to join a group of monks reciting scriptures in a temple in Lhasa. In the early 15th century, he made significant contributions to the development of the Gelug pa. He played a major role in two of Tsongkhapa’s major undertakings – the establishment of Ganden Monastery and the founding of the Great Prayer Festival in Lhasa. (Since 1409, an annual event has been held, gathering tens of thousands of monks and tens of thousands of laypeople to pray together, with a grand scene). Ngawang Drakpa was one of the main responsible persons for this event.

In 1409 AD, Tsongkhapa and his disciple Ngawang Drakpa practiced a strict fasting retreat (Nyung-lay) in front of the Avalokiteshvara statue at the Jokhang Temple in Lhasa, known as the “Five Statues of the Heavenly Made Avalokiteshvara.” Tsongkhapa instructed Ngawang Drakpa to observe his dreams during this time. That night, Ngawang Drakpa dreamt of a pair of white conch shells descending from the sky, merging into one and falling into his arms. He instinctively blew into it towards the east, and the sound of the conch resonated throughout the entire east.

The next day, Ngawang Drakpa described the dream to Tsongkhapa, who replied, “This is an auspicious omen, prophesying that your Dharma propagation will take place in your hometown – the eastern part of Tibet. Furthermore, your Dharma activities will be extensive and will benefit many local beings! Dreaming of blowing the conch indicates that you will propagate the Dharma; blowing it towards the east signifies that you should propagate the Dharma in the eastern part of Tibet; and the loud sound of the conch predicts that your Dharma activities will be extensive and successful.” At this point, Ngawang Drakpa’s Dharma propagation conditions had matured, so he bid farewell to his teacher and returned to his hometown.

In the oral history of Tibet, when Zongkapa bid farewell to Ngawang Drakpa, he gave his own prayer beads to him. Ngawang Drakpa then made a great vow: “For every bead on this prayer beads, I will build a temple to repay the kindness of my teacher!” Although this story is not found in official history, it is widely circulated.

After leaving Zongkapa, Ngawang Drakpa first went to the area of the present-day Ta’er Monastery in Qinghai. This monastery is the birthplace of Zongkapa, but Ta’er Monastery was not yet established at the time. Then, Ngawang Drakpa extensively spread the teachings of Zongkapa in his hometown, first establishing a place called “Andou Monastery” (also known as “Yage Monastery,” meaning “the first monastery,” according to oral tradition, this monastery was the first of the 108 temples established by Ngawang Drakpa), and then built build another 107 monasteries

Connections with other monasteries

Datsang Monastery has close ties with the Sera Monastery, Lower Tantric College in Lhasa, as monks from Datsang Monastery who leave to study higher Buddhist teachings in Lhasa often become students at Sera Monastery.

The Labrang Monastery, on the other hand, has had a close relationship with Datsang Monastery since protecting it from the influence of the Bon religion at a certain time in history. The two abbots, “Gongtang Rinpoche” and “Jamyang Rinpoche,” both served as abbots of Datsang Monastery.

Therefore, Datsang Monastery is part of the Sera Monastery system in terms of Buddhist education, but also has close ties with Labrang Monastery due to the protection and care it received. In terms of history, Datsang Monastery was established before both Sera Monastery and Labrang Monastery. At its peak, Datsang Monastery itself had several subordinate monasteries.

Although the monks of Datsang Monastery have traditionally gone to Sera Monastery to study advanced Buddhist courses, Datsang Monastery itself has its own comprehensive system of Buddhist education, including the five major subjects of Madhyamaka, Prajnaparamita, Abhidharma, Vinaya, and precepts, as well as a complete system of esoteric practice, focusing on the three highest levels of esoteric practice: Mahamudra, Chakrasamvara, and Vajrayogini.

The diligent and scholarly nature of the monks of Datsang Monastery has long been well-known, and throughout history, many monks from Datsang Monastery have achieved the highest degree of Ge-she at the three major monasteries in Lhasa, including Sera Monastery.

In the 1930s, Dazang Monastery had approximately three hundred resident monks.

By the late 1950s, all the monks were expelled, and the monastery was completely destroyed, with its halls, scriptures, and Buddha statues being completely ruined.

From 1993 to 1997, Datsang Monastery was rebuilt.

Collections

Dazang Monastery still preserves an ivory seal presented by Emperor Qianlong of Qing Dynasty, brocade fabrics offered by Qianlong, imperial robes, and scattered pieces of the Five Buddha Crowns (there were as many as fifty sets at the time), along with numerous imperial edicts and decrees, as well as a bronze gong presented by a Ming Dynasty general. This bronze gong is a treasure of Datsang Monastery, renowned for its exceptionally loud and melodious sound.

During the Ming (1368 AD – 1644 AD) and Qing (1616 AD – 1912 AD) dynasties, the monastery was highly respected by successive emperors and the imperial court, receiving long-term offerings from them, including Buddhist relics, seals, gold, treasures, fabrics, and daily necessities for the monks.

After the passing of Ngawang Drakpa, a natural Tibetan character “ཨོ” was found on the skull bone, which is now retrieved and enshrined within Datsang Monastery.

Filed Under: Gelug Pa Monasteries

Tsangna Monastery

January 4, 2024 by Tibetan Trekking Travel Leave a Comment

Tsangna Monastery, where “Tsangna” means “place of retreat for meditation” in Tibetan, was originally built around the 1340s and belongs to the Nyingma sect of Tibetan Buddhism. It is under the jurisdiction of the Katok Monastery in Baiyu County.

heavenly kings
Padmasambhava-statue in Tsangna
prayer wheels
Thousand-Hand Guanyin
Tsangna Mnastery main hall
Tsangna 3 halls
Tsangna buildings
Tsangna wood carving
Tsangna Mnastery halls
Tsangna Mnastery murals
Tsangna wall-sculpture

Brief

Located on Tsangna Mountain in Yingbolo Village, at an altitude of 3504 meters, the existing buildings were mostly restored and rebuilt on the original site after the 1980s.

The monastery complex, with its alternating red and white colors, is magnificent and imposing, and every detail seems to be carefully crafted, exuding solemnity and dignity, evoking awe and reverence.

Three Precious Treasures

The 1st is the true relic of the Buddha Shakyamuni.

The 2nd is the footprint stone of the great master Jigme Lingpa from eight hundred years ago.

The 3rd is the precious scripture of the Buddhist College, a handwritten manuscript by the venerable master Tubton Chokyi Drakpa Rinpoche, which is an explanatory text of the practice of the Great Blissful Mother Yeshe Tsogyal.

Location

Tsangna Monastery is located 900 meters above the Suomo River Valley. From the observation platform on the mountaintop, one can overlook the town of Ma’erkang nestled in the mountain valley, with the Suomo River flowing through the city.

Tsangna Monastery was destroyed during the Cultural Revolution and a new modern-style temple was built nearby in 2004. The new monastery consists of a six-story main building, four monk dormitory buildings, a temple guesthouse, and a reception room for visitors. The monastery is situated in an open and beautiful environment with snow-capped mountains, alpine meadows, and pristine forests.

Monastery structure

The 1st floor of the main building is the Great Scripture Hall, the 2nd floor is the Preaching Hall, the 3rd floor is the Scripture House, the 4th floor is the Multimedia Classroom, the 5th floor is the Golden Buddha Hall, and the 6th floor is the Exhibition Hall, with a golden roof on top.

The construction of the main hall was huge, with a steel-concrete structure and all walls made of granite. The main entrance to the Scripture Hall is four huge dragon pillars with empty carvings. There are four huge Four Heavenly Kings murals, and there are four 20-meter-high Han white jade square pillars inside the Scripture Hall, with exquisite carvings. All the wooden decorative materials inside the Scripture Hall are made of rosewood, and the lighting fixtures are imported from Italy. The eight golden Buddhas inside the Scripture Hall come from Nepal, and the roof is covered with gold, shining brilliantly from afar.

In front of the main hall, several tall pillars are carved with loongs that seem to be turning the river and sea upside down. The hollow-carved dragon embodies the superb skills of the carver. Under the cushion of the pillar, there are still traditional Tibetan lions squatting, calmly and fiercely like guardian beasts, silently guarding the peace and tranquility of the monastery.

The solemn gate of the main hall is painted with the pattern of the Seven Treasures and Eight Precious Objects in Tibetan Buddhism. The main hall, which covers more than a thousand square meters and can accommodate more than three thousand people, is filled with exquisite thangkas. The dome of the main hall is painted with a colorful Mandala.

Small Scripture Hall

Tsangna Monastery Small Scripture Hall is located in the southwest corner of the monastery and is a typical Tibetan Buddhist temple building. It is a two-story stone-wood structure with a multi-eave gable roof and a zigzag-shaped wooden frame. The exterior walls are made of stone, with a larger base and a smaller top, and the inner walls are straight. There are 20 steps of hanging walkways.

The layout is rectangular, facing east, with a vestibule, a scripture hall, and a main hall. It is 23.4 meters wide and 26.5 meters deep, covering an area of 620 square meters. The beams, columns, and brackets are painted with bright colors. The Small Scripture Hall on the northwest corner of the second floor houses a large number of precious cultural relics, including dozens of Buddha statues and murals from Nepal.

Niches

A Buddha niche is a niche-shaped pavilion designed to enshrine Buddha statues. They are often decorated with loongs and can be single or multi-layered, or even extended horizontally to form a continuous wall. They are mainly made of wood and decorated with lotus flowers, auspicious dragons, and other Buddhist patterns, with relief carvings or inlaid with mother-of-pearl, colored stones, ivory, and bones.

The styles of Tibetan and Han niches differ slightly. Tibetan niches are mainly painted, with dragons, heavenly maidens, and guardian figures as the main themes.

The second floor of the old temple of Tsangna Monastery houses a collection of Tibetan-style old Buddha niches, which were collected, restored, and preserved by “Gama Rinpoche” during the reconstruction of Tsangna Monastery. Some of them are more than 400 years old, with different styles, shapes, and decorative techniques.

The basic structure of these niches is divided into three parts. The lower part is the niche cabinet, with drawers on top and a frame layout below.

Some drawers and cabinets are solid and cannot be opened, purely for decorative purposes, with decorative patterns on the feet. The niche cabinets are slightly deeper than the upper niches, with protruding tabletops for placing water bowls or oil lamps.

The upper niches generally have door-shaped frames, two or three layers, with lotus petal patterns, swastika patterns, or diamond patterns. The niche face generally has a three-part layout, with the middle niche for Buddha statues and the two sides for bookcases, or a three-part niche, with the middle slightly wider, double doors, and different-sized niches inside.

The niche frame is decorated with shaped frame panels. Some niches are open-style, with different Buddha niches arranged in different positions and levels.

The top of the niche is generally decorated with a double Loong arching over a Mani pearl, symbolizing the protection of Buddha’s teachings. The Loongs are decorated with carved and painted colors or gold powder. Niches can be arranged independently or in a continuous wall style.

History

In the 1340s, the knowledgeable monk “Xijie Jiangcan” from the Katok Monastery returned to Gyarong. He constructed a simple retreat on the Yampaling Mountain (now renamed as Tsangna Mountain) and practiced there for many years. As more disciples came to study under him, a temple named Lama Temple was built, later renamed as Tsangna Monastery.

The monastery has been home to two great masters in its history: Kaden Triba, the first living Buddha of MarKang Temple, Losang Donggen Lundrub, and Kaden Shyal · Zhetan Denzal.

The present glory of Tsangna Monastery is attributed to the wisdom of the living Buddha “Yanban” within the monastery. With innate wisdom and admirable determination, Tsangna Monastery was able to gather a large amount of donations in just a few years, allowing for the reconstruction of the original monastery.

It is a monastery that combines traditional and modern elements. The living Buddha’s extensive travels abroad have led to the performance of worldly wonders in this remote mountainous area, where the prosperity of Han, Tibetan, and even European and American cultures are dedicated to the deities by devout craftsmen.

Filed Under: Nyingma Pa Monasteries

Serkhri Monastery

January 4, 2024 by Tibetan Trekking Travel Leave a Comment

Serkhri Monastery’s full name is Tagtsang Lhamo Serkhri Monastery. “Serkhri” also known as “Triba”, is a title given by the Buddhist community, which means the highest degree and honor granted in Buddhist studies. In Tibetan, “Serkhri” is a transliteration of the term “gser phye,” which means “golden throne” or “Fa-tai” (equivalent to the abbot of a monastery).

Serkhri Monastery
cycle of life
monks are being trained
way of life
protector hall
monastic halls
way to hall on top
Serkhri Monastery main hall
Serkhri Monastery in the morning
Serkhri Monastery mural
patterns
Serkhri Monastery stupa
sky funeral
vultures at sky burial

Brief

Serkhri Monastery was founded in 1748 AD. Its founder, the 1st Serkhri, was Jangtsen Gelsang, who at the age of 55, served as the 53rd Serkhri of the Ganden Monastery in Tibet for 8 years. During his tenure, he extensively propagated Buddhist teachings, engaged in debates, and authored significant works, earning great respect from the monastic community. In 1747 AD, he established the Serkhri Monastery in Langmusi.

Collection of Cultural Relics

The main sacred objects enshrined in the monastery include over 4,000 Buddha statues crafted from gold, silver, and copper, and adorned with various precious materials such as coral, pearls, and turquoise, obtained from India, Nepal, China, Mongolia, and Tibet. Among them, the statue of Maitreya Buddha is the most prominent, towering nearly two stories high. In his belly, it houses the ancient tongue relic of the self-manifested guardian deity brought from the Ganden Monastery, as well as the “Heavenly Vajra Staff” of the “Dharma,” the robe of the Master Tsongkhapa, and a golden Vajra unearthed during the construction of the Buddha hall, all believed to possess great blessings. Additionally, there are statues sculpted by the living Buddha “Pakpa Kawa,” including the “Black Enemy Yamantaka” and the main deity figure painted with nose blood by “Jamyang Wo,”. Furthermore, there are precious relics such as the purple-gold Vajradhara statue cast according to the Gelugpa tradition by “Chikin Nangka Sangpo,” and the hand-sculpted Mahakala and Chakrasamvara statues by the 2nd Serkhri — “Lhozang Jangtsen Sangge.”

The most rare and precious relic is the physical stupa of the 1st Serkhri, Jangtsen Sangge, enshrined in the Golden Tile Hall. Whether from its historical establishment or the sacred items it houses, the “Tagtsang Lhamo Serkhri Monastery” can be said to be a large-scale Tibetan Buddhist monastery in the Amdo region, second only to the Ta’er Monastery and Labrang Monastery.

Brief history

Serkhri Monastery once had ten affiliated temples and two meditation centers, with 70 abbots serving over the years. In 1958, there were more than 500 monks, making it the religious, cultural, economic, and political center of the local.

Unfortunately, the monastery was not spared during the “Ten Years of Turmoil” and was completely destroyed. Countless sacred objects and precious relics stored within the temple were lost, including the physical stupa of Serkhri Jangtsen Sangge, which was burned to ashes. The heavy losses incurred can never be compensated for.

Before 1958, the temple had five colleges, including the colleges of Wensi, Tantric, Kalachakra, and medicine, with nearly twenty halls, including the Great Sutra Hall and the Golden Tile Hall, as well as two meditation centers. The faithful were spread throughout the regions of Luqu, Ala, Zhuoni, Diebu, and Jiangcharewa in Sichuan.

Reconstruction

The monastery was demolished in 1958 and during the Cultural Revolution. It was approved for reconstruction in May 1981. On September 22 of the same year, more than thirty monks erected a tent on the ruins of the original site as a temporary chanting hall and held a consecration and chanting ceremony, marking the beginning of the reconstruction of the monastery. The four major colleges were gradually restored, and there are now 140 monks. The main buildings of the temple include the Great Sutra Hall, the Maitreya Buddha Hall, and the physical stupa of the Buddha.

Serkhri Monastery Sky Burial

Sky burial in the Gannan region is only conducted at the Langmusi and is open to visitors. The sky burial platform is located more than 300 meters northwest of the ” Serkhri Monastery” and is one of the largest sky burial platforms in the Amdo region, with a history of over 400 years.

The mountain top is adorned with colorful prayer flags, and there are flocks of vultures circling above, considered as the embodiment of deities in the hearts of the Tibetan people. The sky burial platform does not exude the kind of gloom and horror one might imagine. Here, death not only signifies the end but also symbolizes a new beginning, carrying connotations of rebirth and transcendence. It is the final return for the religious faithful in the Tibetan area, as they use sky burial as a specific way to demonstrate the law of human return to nature.

Filed Under: Gelug Pa Monasteries

Milariba Pagoda

January 4, 2024 by Tibetan Trekking Travel Leave a Comment

Built in 1777 AD, Milariba Pagoda was constructed by the master “Losang Daggye” in memory of the founder of the Kagyu Pa of Tibetan Buddhism, “Milariba,” following his master’s orders. The pagoda has nine floors, is over 40 meters high, and has a total construction area of 4,028 square meters.

Milariba Pagoda statues
hall way
inside Milariba building
Milariba Pagoda front
Milariba Pagoda peacefull
Milarepa-pavilion
Sakyamuni-and-his-diciples
Sakyamuni-in-pavilion
Songtsen-Gampo-&-his-wives
Three-Tibetan-Figures
usnisa-vijaya-in-pavilion

Brief

The pagoda has a unique architectural style, reflecting the characteristic of “no stone or wood visible on the inside or outside” in its design. It combines the castle-style architecture of the Tibetan with the tower-style architecture of Buddhist pagodas.

Inside the pagoda, there are many art treasures such as Tangka paintings, murals, embroidery, and butter sculptures. Many scroll paintings depict the life of Milariba and his diligent cultivation. The original pagoda was destroyed during the Cultural Revolution. The current pagoda was rebuilt in 1988 according to the original style and took four years to complete.

Construction

The 1st floor

The 1st floor is dedicated to Qiangba Buddha, also known as the future Buddha – Maitreya Buddha. The Buddha is divided into three periods: past (Dipamkara), present (Shakyamuni), and future (Maitreya).

According to Buddhist scriptures, it is prophesied that after the Nirvana of Shakyamuni Buddha, in 13,000,000 years, Maitreya Buddha will replace the position of the Buddha and propagate the Dharma to the human beings.

To the left of Qiangba Buddha is the Bodhisattva Manjusri, also known as the deity of wisdom, or the Bodhisattva of Wonderful Sound. To the right is the Bodhisattva Vajrapani, the deity who eliminates all evil in the world.

The individuals to the left of Bodhisattva Manjusri are all significant contributors to Tibetan culture and Tibetan Buddhism.

Among of those, the third figure is “Tangdong Gyebo,” a monk of the Kagyu sect and the founder of Tibetan opera. Legend has it that he invited the seven sisters of the Baina family to form a singing and dancing troupe to raise funds to build over a hundred iron bridges. Therefore, he is also known as the “Iron Bridge Living Buddha,” and Tibetan opera performers consider him the founder of Tibetan opera.

The sculpture to the right of “Vajrapani Bodhisattva” are significant figures in Tibetan history. The first is the famous 33rd generation Tibetan king Songtsen Gampo, with his queens, Princess Wencheng and Princess Bhrikuti of Nepal, both devout Buddhists who devoted their lives to the spread of Buddhism in Tibet.

The third figure is Chisong Detsan King, who supported the creation of the first Buddhist monastery in Tibet, the Samye Monastery. Finally, there is Tumi Sangbutsa, Songtsen Gampo’s minister, who created the Tibetan script by studying languages and scripts in India at the behest of Songtsen Gampo. After returning to Tibet, he created the Tibetan phonetic script based on Sanskrit, which has been in use for over 1,300 years.

The 2nd floor

The 2nd floor is dedicated to the Dalai Lama and the Panchen Lama. In the center is Tsongkhapa, the founder of the Gelug sect (Yellow Hat) of Tibetan Buddhism. Tsongkhapa was born in 1357 AD in the area where the Ta’er monastery in Huangzhong, Qinghai, is now located. At the age of 3, he received lay vows from the 4th living Buddha of the black hat lineage “Karma·Rab Dorje” of Karma Kagyu Sect. At 7 years old, he joined the Xaqiong Monastery in Qinghai, where he studied under the founder of the Xaqiong Monastery, a great monk of the Kadampa sect named “Dundru Renchen”. When he was sixteen, he went to central and western Tibet to study Buddhism and earned the title of “Geshe”. At the age of thirty, he initiated religious reforms, advocating the use of yellow robes, wrote extensively, and established the theoretical basis of the Gelug Pa. In 1409 AD, with the help of local nobles, he founded the Ganden Monastery and became its first Ganden Tripa (abbot), officially establishing the Gelug Pa. After his passing in 25th of the 10th month 1419 AD (Tibetan calendar), his disciples built the Drepung, Sera, and Tashilhunpo Monasteries in Lhasa, Shigatse, and Ta’er (kumbum) monastery in Qinghai, Labrang monastery in Xiahe respectively. These monasteries, along with the Ganden Monastery, are known as the six great Gelug pa monasteries in Tibet.

To the left of the Tsongkhapa statue is his chief disciple, Gyal Tsabje. Before his passing, Tsongkhapa passed on his robes and position to Gyal Tsabje. After Tsongkhapa’s passing, Gyal Tsabje succeeded as the 2nd Ganden Tripa (abbot). In 1430, Gyal Tsabje passed the position to Khe Drupje, who became the 3rd Ganden Tripa. The statue of Khe Drupje is to the right of Tsongkhapa, and these three are known as the “Three Great Masters and Disciples.” Khe Drupje was later recognized as the first Panchen Lama by later generations.

To the left of Tsongkhapa is Gendun Drub, who was later recognized as the 1st Dalai Lama by later generations. The third figure to the left of Tsongkhapa is the 5th Dalai Lama, Ngawang Lobsang Gyatso, who established the Gelug Pa’s dominant position in Tibet during his reign. By the time of the 7th Dalai Lama, the Gelug Pa had officially established a system of combined religious and political rule in Tibet.

Straight in the 1st place on the left, the statue is Atisha, a prominent Indian Buddhist monk who was invited to Tibet in the Northern Song Dynasty (1042 AD) to propagate Buddhism. He played a significant role in the revival of Buddhism in Tibet and is considered the founder of the Kadam Pa lineage.

In the lower left corner of Atisha is the actual founder of the Kadam Pa, Dsong Dunba, who arrived in Reting in 1056 AD at the invitation of the local leader of Danmxiong in northern Tibet and presided over the creation of Reting Monastery, marking the formal establishment of the Kadam Pa.

On the right side of Atisha are his proud disciples, Bodowa, Jing ewa and Pu jiongwa, known as the three great masters of the Kadam Pa, who helped to promote and develop the Kadam Pa. When the Kadam Pa developed into the 14th century, Tsongkhapa founded the Gelug sect based on its teachings. Therefore, later generations also referred the Gelug Pa as the New Kadam Pa.

On the right in the first row, there are the five founding masters of the Sakya Pa. The Sakya Pa was founded in the Northern Song Dynasty (960 AD – 1127 AD), with Sakya County in Tibet as its fundamental site, and it promoted Buddhism through two modes of inheritance: lineage and Dharma.

The first on the right is the Sakya 4th Founding Master, “Bantida·Gonga Gyasen”, who in 1253 AD led his nephew, the 5th Founding Master – Basipa, to meet with the Mongolian prince Koden in Liangzhou and reached an agreement on behalf of the local forces in Tibet with the Mongolian royal family. From then on, Tibet surrendered to the Yuan Dynasty and officially accepted the central government’s jurisdiction. After Kublai Khan unified the China, he appointed the 5th Founding Master “Basipa” as the national teacher, who held great power over both religion and politics in Tibet and established the Sakya regime.

To the left of ” Bantida·Gonga Gyasen ” is the important figure of the Sakya Pa, “Chana Dorje”, who was the younger brother of the Yuan Dynasty national teacher “Basipa”. Kublai Khan once appointed him as the King of Bailan and married a princess to him.

The central figure on the right is the founder of Labrang Monastery, the 1st Jamyang Zhepa, who was from Ganjia town in Xiahe County. He became a monk at the age of 13 and went to Tibet to study Buddhism at the age of 21. He studied in Lhasa for 40 years, was proficient in classical texts, and had a great reputation, being known as the “2nd master after Tsongkhapa”. In 1709 AD, (the 48th year of the reign of Kangxi emperor of Qing Dynasty), Jamyang Zhepa accepted the invitation of Prince Chakhan dandzin of the Mongolian tribe in southern Qinghai and returned to his hometown to begin building Labrang Monastery. Here, there are also more than 500 volumes of the Tibetan Buddhist canon, including the Danjur and the Kangyur.

The 3rd floor

The central figure on the third level is the founder of the Nyingma Pa, Guru Padmasambhava. To his right is Chisong Detsan, the 37th Tibetan king, who organized the construction of Samye Monastery and to his left is one of the founders of Samye Monastery, Shantarakshita.

Nyingma Pa is the oldest sect of Tibetan Buddhism. In 754 AD, after Princess Jin Cheng’s son Chisong Detsan came to power, he implemented a series of major reforms that promoted the economic and cultural prosperity of the Tubo Dynasty, leading it to its peak. Chisong Detsan also invited renowned Buddhist scholars from India and Kashmir to Tibet to promote Buddhism. Under Chisong Detsan’s leadership, the Indian master Padmasambhava presided over the construction of the first Tibetan Buddhist monastery, Samye Monastery, with Shantarakshita overseeing the specifics. From then on, the Tibetan people had dedicated monks, known as lamas, separate from the production.

The 4th floor

On the southern right side of the 4th level, there are murals of the 21 Taras. “Tara” in Tibetan Buddhism is equivalent to Guanyin in Chinese Buddhism, and the most common are White Tara and Green Tara.

On the left side, there are murals of the 16 Arhats. This level mainly venerates the masters of the Vajrayana, including Avalokiteshvara Bodhisattva, Manjushri Bodhisattva, and Vajrapani Bodhisattva.

Tibetan Buddhism is divided into the Exoteric Buddhism and Esoteric Buddhism. The Exoteric Buddhism practices Buddhism openly, while the Esoteric Buddhism has specific regulations for practices, offerings, and rituals and does not allow arbitrary actions.

The 5th floor

The central figure in the 5th level is the master Marpa, the founder of the Kagyu Pa of Tibetan Buddhism. He had a diverse education and never became a monk, instead, he taught disciples while engaging in trade and farming.

To his left is Milarepa, one of Marpa’s four main disciples. Milarepa was born into wealth, but at the age of 7, his father passed away, and his uncle seized the family’s wealth, driving Milarepa and his mother out. Seeking revenge, his mother sold their remaining possessions and sent him to learn sorcery from a Bon religion teacher. Years later, he used a hailstorm sorcery to kill 35 people from his enemy’s family. Overwhelmed with remorse, he sought the tutelage of Marpa, a great master of the Kagyu Pa, to learn Buddhism. The mural depicts Milarepa in a cave, engaging in meditation and teaching through song.

To Marpa’s right is his disciple, Tab Rabgye, who furthered the teachings of the Kagyu Pa and established the Dakpo Kagyu lineage.

Because Milarepa wore white clothes while teaching, so the Kagyu sect is also known as the White Sect. Over the centuries, various sub-sects of the Kagyu sect emerged, including the Four Major and Eight Minor lineages. The system of recognizing living Buddhas in Tibetan Buddhism was originally established by the Kagyu sect’s Black Hat lineage, and has been widely adopted by other major sects of Tibetan Buddhism.

The four scroll paintings on the southern wall of the 5th and 6th levels depict the story of Milarepa’s meditation practice.

The 6th floor

The 6th level features a Vajrayana Buddha image, with the central figure being Mahakala, also known as the Great Black One, derived from the Hindu deity Shiva. Offering rituals to Mahakala are believed to enhance power and ensure success in various endeavors. Due to this belief, the Sakya sect’s leader, Pasipa, presented a Mahakala statue to Kublai Khan, making it one of the idols worshipped during the Yuan Dynasty.

The 7th floor

The central figure enshrined on the 7th level is a Vajrapani Bodhisattva. Vajrapani typically holds a vajra in the right hand and a vajra bell in the left, symbolizing unwavering determination and wisdom to destroy all evil. In Vajrayana Buddhism, this is considered an image that emerged when Shakyamuni Buddha taught esoteric teachings.

The 8th floor

The 8th level enshrines five “Tathagatas,” which are Buddhas with different bodies of truth. “Tathagata” is an epithet for Buddha, and there are also thirty-five other Buddhas, including Shakyamuni.

The 9th floor

The 9th level is purely symbolic. The raised structure on the roof represents a mandala, a recreation of the place where Shakyamuni Buddha gave esoteric teachings to the public.

Summary

The Buddha statues enshrined from the 3rd to the 8th level are all carved from sandalwood and juniper.

On both sides of each floor, there are a total of 1025 statues of Milarepa, each measuring one cubit in height, and 20 statues of Shakyamuni, also one cubit in height. Additionally, there are statues of the founding patriarchs of various sects of Tibetan Buddhism, including the Nyingma, Sakya, Kagyu, Gelug, and Kadam sects. There are also numerous main deity statues of the four divisions of Vajrayana Buddhism, such as Vajrakilaya, as well as 215 statues of Dharma protectors and wealth deities. In total, there are 1272 Buddha statues within the entire pagoda complex. Surrounding the courtyard of the pagoda are 130 copper prayer wheels and a main gate and a white stupa.

Like all Tibetan Buddhist monasteries, the top of the 9th level pagoda houses a Dharma-chakra, also known as the “Two Deer Listening to the Dharma,” symbolizing the story of Shakyamuni Buddha giving his first sermon in the Deer Park, signifying the eternal turning of the Dharma wheel and the continuity of the Buddha’s teachings.

Milariba’s Exhortation Dance for Goodness

The monks of Milariba Pagoda hold various religious activities every year, strictly adhering to the form of religious dance passed down from the Thashilunbu Monastery. The dance is solemn and grand, depicting images of animals, ghosts, gods, good, evil, and humans. The costumes and masks are unique, and the sound of the drums and gongs is stirring.

Milariba’s “Exhortation Dance for Goodness” is the main religious activity of Milariba Pagoda. The performance tells the story of Milariba persuading the hunter “Gongbo Dorje” and is a form of religious drama that combines performance and preaching. The plot is relatively simple and interesting, and it is the largest gathering activity during the July religious puja.

The religious drama of this “dance” is said to have been compiled by the Gongtangcang Living Buddha of Labrang Monastery and consists of five sections. The first four sections have little to do with Milariba persuading “Gongbo Dorje”, and the main story is performed in the 5th section. The plot is based on the story of Milariba in “The Life and Songs of Milariba” and is a special method of preaching to encourage people to believe in Buddhism, believe in cause and effect, and not commit sins such as killing.

At the beginning of the performance of the “Exhortation Dance for Goodness,” the protagonist Milariba carries a scripture on his back, holds a Zen stick, and wears a white robe with a red border. He sits on a chair after arriving at the scene. Then two deer enter the stage and dance, and after the dance, they crouch in front of Milariba’s seat. Two hunting dogs follow and arrive at the scene. Seeing that the two deer being chased are motionless, they sit on the left and right sides of the two deer. The actor playing Milariba stands up, looks for the dogs and deer, and drums while preaching with a clear and melodious tone. The main idea is to persuade the deer not to be afraid because death is inevitable until they are liberated, and to persuade the hunting dogs not to have killing thoughts because the cycle of cause and effect will ultimately lead to suffering. After the preaching, the deer and dogs dance in turn and then crouch on the left and right sides of Milariba. At this time, a tall and strong hunter with a red mask, braided hair, a coral headband, a water otter fur coat, and Tibetan boots enters the scene and jumps into the crowd on the left side while talking to himself in a rough and humorous tone. After the hunter arrives, he looks for the two deer and runs to Milariba to search. Seeing that the hunting dogs and deer are tame and motionless, he shoots arrows at them, but not only does he miss, but the arrows bounce back. He is very surprised and realizes that Milariba is extraordinary. He returns to the front to observe. Milariba stands up and explains the Buddhist doctrine of impermanence in detail. The hunter then has a great realization and converts to Milariba, and the deer and dogs are overjoyed and dance together. The preaching conference ends successfully.

Filed Under: Kagyu Pa Monasteries

Hezuo Monastery

January 3, 2024 by Tibetan Trekking Travel Leave a Comment

Hezuo Monastery, also known as “Tso gonpa,” is called “Gaden Choling” in Tibetan, meaning “Land of Virtuous Dharma,” and it is a Gelug Pa monastery of Tibetan Buddhism.

It is located approximately 1 kilometer east of the town of Hezuo, the capital of today’s Gannan Tibetan Autonomous Prefecture.

Buddhism-symbol
Hezuo-Monastery-hall
The stupa
overlooking Hezuo city
prayer wheel room
protector hall
Hezuo monastery halls
Vajradhara
wood carving
Tso-Buddha-statues
Tso-main-hall
Tso-Mandala
Tso-Sakyamuni

Brief

The monastery was founded in 1673 (the 12th year of the reign of Emperor Kangxi of the Qing Dynasty) by the eminent monk “Sherab Chodan.” He was from Ganjia county and was a disciple of the venerable “Rongpo Drubchen Gadan Gyatso.” After studying Buddhism in Tibet, he received the title “La-rang-ba Gaxi” and gained the support of local leaders in Hezuo to establish the “Hezuo Monastery”; It is the seat of the Tsokhri sprul incarnations

History

In 1749, the first Tsokhri · Samucha — “Jantsan Senge” established the “Regulations for Listening to the Dharma” at Hezuo Monastery, and since then, both the political and religious authority has been under the jurisdiction of the Sertse Renpoche system.

The 2nd Tsokhri·Losang Jantsan Senge (1757 AD – 1850 AD) went to Tibet at the age of 26 to seek the Dharma, extensively studied the “Five Great Treatises,” and achieved great success in his studies. The local Hezuo government conferred upon him the title of “Chan Yang Ganden Sangye Erdini Bantida.” After returning to Amdo, he served as the abbot of the Longwu Monastery in Qinghai, Tongren county, where he oversaw the construction of the Great Golden Roof Hall, the Shakyamuni Hall, and the Printing House of Hezuo monastery. He left behind a collection of 8 volumes of writings.

The 3rd Tsokhri·Losang Dentsen Senge organized the construction of the Great Sutra Hall and the Great Angqian (abbot’s residence), and passed away at the age of 50.

The 4th Tsokhri·Losang Boden Senge passed away at the age of 69.

The 5th Tsokhri·Losang Tuden Senge.

Through the efforts of the successive Sertse incarnations, Hezuo Monastery became one of the largest monasteries in the Gannan region.

By early 1949, Hezuo Monastery had two sutra halls, ten temples, and a nine-story pagoda (Milarepa pagoda). It had a community of over 500 monks and approximately ten thousand followers, and also had schools, clinics, a police station, and a security team stationed there, making it essentially a self-governing entity within the county.

In 1955, the Milarepa Pagoda was restored within the Hezuo Monastery, rising nine stories high and commonly known as the “Nine-Story Building.” It currently houses over a hundred monks.

In 1958, Hezuo Monastery was preserved, but during the Cultural Revolution in the mid-20th century, it was completely demolished.

In 1981, Hezuo Monastery was restored and new halls, including the Great Sutra Hall, were built.

Filed Under: Gelug Pa Monasteries

Geerti Monastery

January 3, 2024 by Tibetan Trekking Travel Leave a Comment

In Langmusi, located in Ruogai County, Tagtsang Lhamo Geerti Monastery, also known as the Geerti Monastery in short. The terrain that Geerti Monastery is located is relatively open, with herds of cattle and sheep leisurely grazing in the grasslands next to the monastery, while the monks solemnly chant scriptures in the main hall.

Geerti Monastery
Geerti Monastery
Geerti Monastery
Geerti hall
Geerti view
praying monk
8 auspicious symbols
dharma symbol
Monk dormitory

History

The first living Buddha of the Geerti Monastery, Rongqing · Gendeng Jangsen, was one of the seven disciples of the founder of the Gelug Pa of Tibetan Buddhism, Master Tsongkhapa, and established the monastery in 1413 AD. It is one of the largest and most influential monasteries of the Gelug sect in the Aba Tibetan and Qiang Autonomous Prefecture of Sichuan Province, with 18 affiliated monasteries and around 500 monks.

In 1756 (the 21st year of the reign of the Qianlong Emperor of the Qing Dynasty), the Upper Tantric College was established and the monastery began to gradually expand.

Legend of the Monastery

In 1409, when Master Tsongkhapa founded the Ganden Monastery which was the 1st monastery of Gelugpa of Tibetan Buddhism. The first living Buddha of the Geerti Monastery, Rongqing · Gendeng Jangsen, was his trusted assistant. Master Tsongkhapa sent him to consult with his teacher, Langka Gyentsen, about the construction of the Ganden Monastery. After giving the necessary instructions, the teacher told Rongqing Gendeng Jangsen, “Once the construction of Ganden Monastery is completed, you should go to the Gyarong region to build a monastery to promote the Buddha’s teachings.”

Rongqing Gendeng Jangsen returned and truthfully reported this to Master Tsongkhapa, who then instructed him to go to a place with specific features, including a crescent-shaped valley, a mountain cliff resembling a crown, and a small lake resembling turquoise, to build a monastery and promote the Gelugpa.

Cultural Relics

Geerti Monastery in Sichuan once housed many invaluable treasures, most of which were destroyed during the Cultural Revolution. However, there is now a precious relic – the physical remains of the 5th living Buddha of the Geerti Monastery. The 5th living Buddha was born in 1681 AD and passed away in 1775 AD at the age of 74.

During the Cultural Revolution in the 1960s, the physical remains were taken to the county town of Zoige and then secretly buried on the Dalonggou Mountain by a few religious believers. When it was unearthed in 1981, the muscles still had elasticity and showed no signs of damage. It was then brought back to the Geerti Monastery and has been enshrined in the monastery’s golden hall ever since.

Before the democratic reforms, the physical remains naturally grew hair, but after a group of high-ranking monks gave it a haircut, it never grew hair again. The gilded physical remains have endured the trials of over 300 years and remain lifelike to this day.

Filed Under: Gelug Pa Monasteries

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